For instance, in Part I, he spends almost 12 minutes vamping over the chords Am7 (A minor 7) to G major, sometimes in a slow, rubato feel, and other times in a bluesy, gospel rock feel.

比如，在Part I 中，在AM7和弦到G大调的转换他用了大概12分钟的即兴伴奏，时而以舒缓的音色随意增减音符奏响的节奏，时候给出布鲁斯和福音摇摆韵味的节奏。

At the opening his very first note has a sharper impact, and the florid display work which follows is lighter and gayer, while the first long melody is freer, more expressive in its rubato.

在他的非常第一在中指出开头的有一更锋利对的冲击和跟随的红润的展示工作是更亮和更喜欢，与此同时第一长旋律在它的自由速度中是更自由，更表现。