One of their informers was working under the code name Czerny.

他们的一名线人的化名为车尔尼。

At the second desk was a half-finished set of Beethoven's symphonies that Czerny was arranging for piano duet for another publisher.

第二张桌子上是完成了一半的贝多芬交响曲，是车尔尼为另一个出版商改编的钢琴二重奏。

Carl Czerny was actually an extraordinarily prolific composer whose curiously mechanical way of working made his vast output possible.

卡尔·车尔尼是一个名副其实的卓越的多产作曲家，他那古怪的、机械的创作方式让他的高产成为可能。

The English writer John Ella visited Czerny in Vienna in 1845 and asked the composer how he could possibly find the time to publish so much music.

1845年，英国作家约翰·伊拉在维也纳拜访过车尔尼，他问这位作曲家，他如何挤出时间去创作和发表如此多的作品。

The Englishman had heard that Czerny was also in the habit of working on four different publications at once, and he couldn't help asking Czerny about that.

这个英国人还听说过车尔尼还有个习惯，就是同时创作四部不同作品，他禁不住向车尔尼问起这件事情。